Objectif Express est un cours intensif sur deux niveaux pour un public d'adultes debutants (et faux debutants) en situation professionnelle ou en preparation a la vie active. C'est une methode concue pour repondre a des besoins immediats et urgents d'apprentissage du francais, qui est aussi adaptee a des cours individuels. Objectif Express 2, qui fait suite a Objectif Express 1 (niveaux A1/A2) du CECRL correspond a la fin du niveau A2 et au niveau B1. Sa finalite est de rendre l'apprenant capable d'agir et de reagir en francais, par la realisation de raches concretes, dans des situations liees a une activite professionnelle. Organise en 10 unites de 16 pages, Objectif Express 2 propose en outre, en fin d'ouvrage, un memento des actes de parole. Par la richesse, la variete et le pragmatisme de ses contenus, Objectif Express 2 prepare efficacement au DFPB1 de la Chambre de commerce et d'industrie de Paris. Objectif Express 2 comprend: — un livre avec un CD audio encarte pour l'apprenant. — un cahier d'activites, avec un portfolio. — un guide pedagogique pour l'enseignant, avec des bilans / evaluations complementaires. — un coffret de 2 CD audio pour la classe.

Super Max est une méthode d’apprentissage du français destinée aux enfants et pré-adolescents. Créative et ludique, Super Max rend l’élève acteur de son apprentissage et propose des séquences de classe rythmées et vivantes. Complément indispensable du livre de l’élève, le cahier d’activités de Super Max permet de renforcer et de vérifier les acquis avec: — des activités de systématisation en grammaire, vocabulaire et phonétique, — des activités de révision de la chanson ou de la récitation, — des activités de compréhension et de production écrites, — une page Super Rapido, avec des activités complémentaires pour les élèves les plus rapides. C'est aussi un cahier de ressources qui propose des aides pour préparer les productions écrites et orales du livre de l’élève (rubrique Ta mission et page Projet).

Super Max est une méthode d'apprentissage du français destinée aux enfants et pré-adolescents. Le guide pédagogique Super Max contient: — un mode d'emploi de la méthode; — une présentation de la méthodologie de Super Max; — des conseils pour les premiers jours des cours; — l'exploitation du livre de l'élève avec, pour chaque module, les objectifs, des suggestions d'exploitation des activités, les transcriptions, les corrigés et des suggestions d'activités complémentaires; — huit super tests à photocopier; — un portfolio à photocopier; — les corrigés du cahier d'exercices; — des grilles d'évaluation à photocopier.

«Super Max est une méthode d'apprentissage du français destinée aux enfants et préadolescents. Créative et ludique, Super Max rend l'élève acteur de son apprentissage et propose des séquences de classe rythmées et vivantes. Descriptif: Après Londres, Max arrive à Paris dans la classe de madame Lafleur. Manon, Léa, Youssou et Thomas, ses nouveaux amis, découvrent un super copain! Ensemble, ils participent aux concours «Ton Super Héros». Max apprend très vite le français... Quel est son secret?»

Super Max est une méthode d’apprentissage du français destinée aux enfants et pré-adolescents. Créative et ludique, Super Max rend l’élève acteur de son apprentissage et propose des séquences de classe rythmées et vivantes. Complément indispensable du livre de l’élève, le cahier d’activités de Super Max permet de renforcer et de vérifier les acquis avec: — des activités de systématisation en grammaire, vocabulaire et phonétique, — des activités de révision de la chanson ou de la récitation, — des activités de compréhension et de production écrites, — une page Super Rapido, avec des activités complémentaires pour les élèves les plus rapides. C'est aussi un cahier de ressources qui propose des aides pour préparer les productions écrites et orales du livre de l’élève (rubrique Ta mission et page Projet).

Après Paris, retrouvez Max à l'école européenne de Bruxelles, prêt à vivre de nouvelles aventures... Super Max est une méthode d'apprentissage du français destinée aux enfants et préadolescents. Créative et ludique, Super Max rend l'élève acteur de son apprentissage et propose des séquences de classe rythmées et vivantes.

Voila! Je m’appelle Massouira: j’ai 12 ans et demi. Dans ma classe tout le monde ecrit son blog. Moi aussi j’ai plein de choses dans la tete, plein de questions. Je parle avec mes copines mais quand j’ecris ce n’est pas comme quand je parle. Je peux decrire mes sentiments, mes pensees... Je suis un peu timide et je ne sais pas pourquoi. Des gens vont me lire et m’aimer peut-etre? Massouira ce n’est pas mon vrai nom. J’aime rester inconnue! J’ai une autre identite: j’ai melange mon vrai prenom et le nom de ma ville preferee au Maroc (ma famille est d’origine marocaine). Massouira, c’est joli, j’aime bien la prononciation.

Desperate for any kind of a job as a wizard, Gerald, a Third Grade wizard born outside the Wizarding class, takes the position as royal court wizard to Lionel, the spoiled young king of New Ottosland, only to find himself coping with a kingdom moving ever closer to war and with strangely increasing magical abilities. Original.

Bestseller Meltzer (The Book of Fate) deserves credit for an audacious conceit—wedding the biblical fratricide of Abel by his brother Cain with the unsolved 1932 homicide of the father of Jerry Siegel, the creator of iconic comic book hero Superman—but the results are less than convincing. A highly tenuous link between the two murders revolves around the mysterious weapon Cain (the world's greatest villain) used to kill his brother. One of numerous theories is that the weapon was a divine book containing the secrets of immortality. After coming to the aid of a shooting victim, Calvin Harper, a homeless volunteer working in Fort Lauderdale, Fla., soon finds himself hopelessly caught up in a life-and-death quest for the ancient artifact that includes the obligatory secret societies, Nazi conspiracies, enigmatic villains and cryptographic riddles à la The Da Vinci Code. A glut of two-dimensional characters and a plot riddled with coincidences don't help.

If all that Tom Rob Smith had done was to re-create Stalinist Russia, with all its double-speak hypocrisy, he would have written a worthwhile novel. He did so much more than that in Child 44, a frightening, chilling, almost unbelievable horror story about the very worst that Stalin's henchmen could manage. In this worker's paradise, superior in every way to the decadent West, the citizen's needs are met: health care, food, shelter, security. All one must offer in exchange are work and loyalty to the State. Leo Demidov is a believer, a former war hero who loves his country and wants only to serve it well. He puts contradictions out of his mind and carries on. Until something happens that he cannot ignore. A serial killer of children is on the loose, and the State cannot admit it. To admit that such a murderer is committing these crimes is itself a crime against the State. Instead of coming to terms with it, the State's official position is that it is merely coincidental that children have been found dead, perhaps from accidents near the railroad tracks, perhaps from a person deemed insane, or, worse still, homosexual. But why does each victim have his or her stomach excised, a string around the ankle, and a mouth full of dirt? Coincidence? Leo, in disgrace and exiled to a country village, doesn't think so. How can he prove it when he is being pursued like a common criminal himself? He and his wife, Raisa, set out to find the killer. The revelations that follow are jaw-dropping and the suspense doesn't let up. This is a debut novel worth reading.

«Boys don't keep diaries — or do they? The launch of an exciting and innovatively illustrated new series narrated by an unforgettable kid every family can relate to. It's a new school year, and Greg Heffley finds himself thrust into middle school, where undersized weaklings share the hallways with kids who are taller, meaner, and already shaving. The hazards of growing up before you're ready are uniquely revealed through words and drawings as Greg records them in his diary. In book one of this debut series, Greg is happy to have Rowley, his sidekick, along for the ride. But when Rowley's star starts to rise, Greg tries to use his best friend's newfound popularity to his own advantage, kicking off a chain of events that will test their friendship in hilarious fashion. Author/illustrator Jeff Kinney recalls the growing pains of school life and introduces a new kind of hero who epitomizes the challenges of being a kid. As Greg says in his diary, «Just don't expect me to be all 'Dear Diary' this and 'Dear Diary' that.» Luckily for us, what Greg Heffley says he won't do and what he actually does are two very different things.»

Whatever you do, don't ask Greg Heffley how he spent his summer vacation, because he definitely doesn't want to talk about it. As Greg enters the new school year, he's eager to put the past three months behind him...and one event in particular. Unfortunately for Greg, his older brother, Rodrick, knows all about the incident Greg wants to keep under wraps. But secrets have a way of getting out...especially when a diary is involved.

«Let's face it: Greg Heffley will never change his wimpy ways. Somebody just needs to explain that to Greg's father. You see, Frank actually thinks he can get his son to toughen up, and he enlists Greg in organized sports and other «manly» endeavors. Of course, Greg is easily able to sidestep his father's efforts to change him when Greg's dad threatens to send him to military academy, Greg realized he has to shape up... or get shipped out.»

«Felix Castor has reluctantly returned to exorcism after a successful case convinces him that he really can do some good with his abilities-»good», of course, being a relative term when dealing with the undead. His friend Rafi is still possessed, the succubus Ajulutsikael (Juliet to her friends) still technically has a contract on him, and he's still dirt poor. Doing some consulting for the local cops helps pay the bills, but Castor needs a big private job to really fill the hole in his bank account. That's what he needs. What he gets is a seemingly insignificant «missing ghost» case that inexorably drags him and his loved ones into the middle of a horrific plot to raise one of hell's fiercest demons. When satanists, stolen spirits, sacrifice farms, and haunted churches all appear on the same police report, the name Felix Castor can't be too far behind...»

Depuis trois ans, Rémi est amoureux de Juliette, une fille de troisième B. Lui est en quatrième C. Juliette est belle, trop belle: il a peur de l'approcher. Rémi s'inscrit au club de théâtre dans l'espoir d'y voir Juliette. Coup du destin: ils montent la pièce Roméo et Juliette. Pour Lire en français facile, le Club des jeunes lecteurs vous propose: des histoires variées proches des goûts et des centres d'intérêt des adolescents un dossier pédagogique avec des activités stimulantes pour contrôler la lecture du texte, réemployer le vocabulaire et aller plus loin un lexique pour la compréhension des mots et des expressions difficiles.

Adams began to photograph in colour in the mid-1930s. He did significant personal or 'creative' photography in colour and his distinctive visualisation of a scene and technical mastery is immediately evident in these photographs. Overall, he made nearly 3,500 colour images, but only a small fraction have ever been published. Adams thought seriously about publishing his colour images but the task was not accomplished during his lifetime. The Ansel Adams Publishing Rights Trust — with advice and counsel from John Szarkowski, former Director of Photography at New York's Museum of Modern Art; David Travis, Curator of Photographs at the Art Institute of Chicago and James Enyeart, former Director of the International Museum of Photography at George Eastman House--asked the distinguished master photographer Harry Callahan to select the best of Adams' colour work for publication in this book.

«In this abridged board book edition of the successful hardcover picture book, Museum ABC, kids can learn their ABCs with the accompaniment of stunning artwork from The Metropolitan Museum of Art. A page is devoted to each letter of the alphabet and a single, memorable picture of the object is represented; for example, the classic «A is for APPLE» is accompanied by a well-known piece of art by Cezanne showing apples. Adults will love the visual and cultural richness of this alphabetical tour, which also includes details about each piece of art and its creator in the back.»