The Dakota. The Apthorp. The San Remo. The names of these legendary New York apartment buildings evoke images of marble-lined lobbies, uniformed doormen, and sunlit penthouses with sweeping Central Park views. Built from the 1880s through 1930s, classic prewar apartments were designed to lure townhouse dwellers reluctant to share a roof with other families. Billed as private mansions in the sky, they promised a charmed Manhattan lifestyle of elegance and luxury. Manhattan Classic takes readers on a lavishly illustrated guided tour of eighty-five of the most coveted buildings in New York. Author Geoffrey Lynch provides capsule histories — equal parts architectural and social history — of the most celebrated examples, with anecdotes about well-known residents and essential information about notable features. This gorgeous coffee table book is an indispensible resource for apartment hunters, real estate and design professionals, and anyone fascinated by the grace and glamour of prewar style.

«Clean plates don't lie.» Dan Barber. Great chefs are not self-effacing or meek — there's no room for indecision in the professional kitchen, where the slightest stumble can send an entire restaurant into the weeds. So it follows that even in quieter moments, what chefs have to say is usually opinionated and always illuminating. The Chef Says invites readers to the ultimate food-lover's dinner party, where cooks from ancient Greece rub shoulders and talk shop with today's rising stars. These unruly culinarians compliment, compete and disagree with one another as they discuss childhood and training, taste preferences and trends, the quest for perfection and the grueling but exhilarating business of opening a restaurant. The Chef Says will captivate anyone who has ever worked in a kitchen, been inspired by a flawlessly ripe tomato, or resolved a crisis by adding more butter. The first compendium to focus on quotations from chefs themselves, it is the perfect gift for professionals, foodies, home cooks and anyone interested in culinary culture. Features 150 quotes from an international roster of chefs, including Lidia Bastianich, Mario Batali, James Beard, Daniel Boulud, Anthony Bourdain, David Chang, Julia Child, Tom Colicchio, Elizabeth David, Wylie Dufresne, Gabrielle Hamilton, Thomas Keller, Jim Lahey, Sarabeth Levine, Edna Lewis, Anita Lo, Gordon Ramsay, Marcus Samuelsson, Andre Soltner, Charlie Trotter, Jean-Georges Vongerichten, Alice Waters and many others.»

The morning hours before the hustle and bustle of the day commences is the perfect time to pause and enjoy a sense of renewal and vitality. On the morning of December 7, 2006, Maria Alexandra Vettese and Stephanie Congdon Barnes each took a digital photo of everyday objects randomly arranged on their kitchen tables and, unbeknownst to one another, uploaded them to the website Flickr. A Year of Mornings collects 236 images a always taken before 10AM without discussion between the two women a from this uniquely 21st-century artistic collaboration. The intimacy of these photographs a discarded clothing, a view of a snowy day from the window, a table cloth a combined with their striking similarities in color and composition defies the reality of their long-distance collaboration. While clearly kindred spirits, the two women have met in person only once. Their friendship is maintained solely online, sustained by a shared love for moments of serenity, solitude, and peacefulness. The annotated photographs in A Year of Mornings radiate an aura of sweetness and light a the promise of a new day.

This is a book of quotations by and about architects, and architecture. One quotation per page, the quote on the left and right side of the spread will in some way respond to each other. The Architect Says will resemble a dinner party, with an architect from the eighteenth century sitting next to one practicing today, or two contemporary architects talking to each other: complimenting, competing, disagreeing. Occasionally, a critic will add his or her two cents to the mix.

All of us struggle at one time or another with creative block. Always striking at the worst moment, it can leave you feeling completely paralyzed. Take solace in knowing that you are not alone. It happens to everyone and is actually and inevitable part of the creative process. Breakthrough! Is a lively compilation of strategies and personal tips for combating creative ruts offered by leading international graphic designers, typographers, cartoonists, photographers, illustrators, musicians, writers and other well known creative professionals. Participants include Christoph Niemann, the award winning illustrator and children's book author; Paul Scher, graphic designer and artist of large scale paintings of America's preeminent information designers; and Ji Lee, the creative director of Facebook.

This series of small primers on drawing encourages readers not only to pick up a pen and start drawing, but to see the world that surrounds them with fresh eyes. Visual thinking and using ones imagination are skills that are often neglected in todays world. With author Peter Jenny's help, readers will learn to perceive their environment in a new way and will soon follow his lead, discovering the joy of drawing. The three books in the series each present a short introduction by Jenny and twenty-two easy exercises, with each book focusing on a different aspect: Notes on Drawing Technique takes actions such as gesticulating, touching, feeling, doodling, and moving as the starting points for putting pen to paper. Notes on Figure Drawing focuses on the archetypal presentation of the human figure, and Learning to See teaches the reader to discover art in everyday objects. Peter Jenny is professor emeritus and chair of visual design at the famous ETH Zurich in Switzerland.

This series of small primers on drawing encourages readers not only to pick up a pen and start drawing, but to see the world that surrounds them with fresh eyes. Visual thinking and using ones imagination are skills that are often neglected in todays world. With author Peter Jenny's help, readers will learn to perceive their environment in a new way and will soon follow his lead, discovering the joy of drawing. The three books in the series each present a short introduction by Jenny and twenty-two easy exercises, with each book focusing on a different aspect: Notes on Drawing Technique takes actions such as gesticulating, touching, feeling, doodling, and moving as the starting points for putting pen to paper. Notes on Figure Drawing focuses on the archetypal presentation of the human figure, and Learning to See teaches the reader to discover art in everyday objects. Peter Jenny is professor emeritus and chair of visual design at the famous ETH Zurich in Switzerland.

This series of small primers on drawing encourages readers not only to pick up a pen and start drawing, but to see the world that surrounds them with fresh eyes. Visual thinking and using ones imagination are skills that are often neglected in todays world. With author Peter Jenny's help, readers will learn to perceive their environment in a new way and will soon follow his lead, discovering the joy of drawing. The three books in the series each present a short introduction by Jenny and twenty-two easy exercises, with each book focusing on a different aspect: Notes on Drawing Technique takes actions such as gesticulating, touching, feeling, doodling, and moving as the starting points for putting pen to paper. Notes on Figure Drawing focuses on the archetypal presentation of the human figure, and Learning to See teaches the reader to discover art in everyday objects. Peter Jenny is professor emeritus and chair of visual design at the famous ETH Zurich in Switzerland.

«Inspiration is for amateurs. The rest of us just show up and get to work». Chuck Close Inside an art gallery, it is easy to forget that the paintings there are the end products of a process involving not only creative inspiration, but also plenty of physical and logistical details. It is these «cruder», more mundane aspects of a painter's daily routine that motivated Brooklyn artist Joe Fig to embark almost ten years ago on a highly unorthodox, multilayered exploration of the working life of the professional artist. Determined to ground his research in the physical world, Fig began constructing a series of diorama-like miniature reproductions of the studios of modern art's most legendary painters, such as Jackson Pollock and Willem de Kooning. A desire for firsthand references led Fig to approach contemporary artists for access to their studios. Armed with a camera and a self-made «Artist's Questionnaire», Fig began a journey through the workspaces of some of today's most exciting contemporary artists. Inside the Painter's Studio collects twenty-four remarkable artist interviews, as well as exclusive visual documentation of their studios. Featured artists were asked a wide range of questions about their day-to-day creative life, covering everything from how they organize their studios to what painting tools they prefer. Artists open up about how they set a creative mood, how they choose titles, and even whether they sit or stand to contemplate their work. Also included are a selection of Fig's meticulously detailed miniatures. In this context Fig's diminutive sculptures reproducing minutiae of the studio, from paint-tube labels and paint splatters on the floor to the surface texture of canvases become part of a fascinating new form of portraiture as diorama. Inside the Painter's Studio offers a rare look into the self-made universe of the artist's studio. Inside the Painter's Studio features interviews with Gregory Amenoff, Ross Bleckner, Chuck Close, Will Cotton, Inka Essenhigh, Eric Fischl, Barnaby Furnas, April Gornik, Jane Hammond, Mary Heilmann, Bill Jensen, Ryan McGinness, Julie Mehretu, Malcolm Morley, Steve Mumford, Philip Pearlstein, Matthew Ritchie, Alexis Rockman, Dana Schutz, James Siena, Amy Sillman, Joan Snyder, Billy Sullivan, and Fred Tomaselli.»

Increasingly, architects are hired to design new work for existing structures. Whether for reasons of preservation, sustainability, or cost-effectiveness, the movement to reuse buildings presents a variety of design challenges and opportunities. Old Buildings, New Designs is an Architecture Brief devoted to working within a given architectural fabric from the technical issues that arise from aging construction to the controversy generated by the various project stakeholders to the unique aesthetic possibilities created through the juxtaposition of old and new.

Effortless and inevitable are architect Steven Harris's two favorite words. With sensitivity to the surrounding landscape, Harris designs homes custom-made to his client's daily-lived experience. His dining rooms are not aggrandizements of tradition, they are places to eat, to gather, or even work; his entry halls are not the primary places of arrival, but rather the final segments of a long trajectory that begins when the resident turns off the main road or exits the elevator. True Life, the firm's first monograph, showcases Harris's residential work over the past twenty-five years. Organized by the activities that propel his designs-dine, lounge, study, play, sleep, and so on-it focuses on people rather than objects. Harris's works are not meant to set lifestyle changes into motion, but rather to cater to those routines already in progress. Herein lies the genius of his work: Harris lets the client speak for the house, not the house for the client. A foreword by writer A.M. Homes places Harris's work in the context of contemporary architecture and speaks to the understated elegance of his designs.

Think big, design small. This is the rallying cry of a new generation of architects and artists who aim to improve the lives of city-dwellers through small-scale public design projects. Using the city as an open-source platform for ideas, these visionaries create urban interventions to address problems specific to urban life. Small Scale presents fifty ingenious yet simple projects ranging from the purely conceptual to the fully realized. From a bridge that curls up into itself when not in use, to a stacked rental car dispenser, to a bus-stop like shelter that uses bright lights to treat seasonal affective disorder in the winter, these projects energize our cities leftover spaces and help us imagine the future of our urban infrastructure. The projects in Small Scale are organized into three sections: those that provide practical services, those that share information, and those that simply delight. Each project is eminently achievable and most do not require many permits or much government oversight or tremendous use of natural resources; indeed, some suggest solutions to the larger problem of energy consumption. Designed by both well-known and up-and-coming architects and artists including Diller Scofidio + Renfro, Ho weler + Yoon Architecture, Morphosis, Studio Olafur Eliasson, and many more, the projects in Small Scale reflect the promise of new ideas, new materials, and new technologies.

The geographic region around the North Pole is a raw and exotic area of untouched nature and inescapable beauty. Unique among the Earth's ecosystems, it includes both a vast, ice-covered ocean and a treeless region of tundra. Building in this extremely cold climate requires an advanced degree of ingenuity and resolve. Ecological conditions including high winds, snowdrifts, and permafrost, combined with periods of little or no sunlight, present seemingly impossible logistical hurdles. Recent years have witnessed an explosion of resident and invited architects creating buildings above 60 degrees latitude. The time has come for a new definition of a northern building-one that is both extraordinarily responsive to place and aesthetically provocative. In Modern North, author Julie Decker presents thirty-four of the most compelling and far-ranging possibilities of contemporary architecture in the North. These buildings-located in northern Canada, Scandinavia, and Alaska-are united in the way they embrace extreme conditions. Rather than shut them out, these conditions are welcomed and often formed into the buildings' structures and materials, as in the way architecture is employed to mediate the harshness of the low-lying sun without replacing it with the harshness of artificial lights. The architects of Modern North exploit the natural topography to provide visual stimulation in places that sometimes offer little more than a whitescape. Modern North includes innovative institutional and residential structures by both established and up-and-coming architects, including a-lab, David Chipperfield, Jarmund/Vigsnaes, Studio Granda, Shim-Sutcliffe, and Snohetta. Essays by Brian Carter, Juhani Pallasmaa, Edwin Crittenden, and Lisa Rochon place the projects in the context of a new architectural response to the North.

Volume-a word that refers to sound, collections, and the measurement of space-is a crucial characteristic of both graphic design and popular music. While expressing different aspects of these two pervasive cultural mediums, the term also introduces a discussion on their many links. Volume: Writings on Graphic Design, Music, Art, and Culture is a collection of both new and classic writings by frequent Emigre contributor and educator Kenneth FitzGerald that survey the discipline of graphic design in context with the parallel creative fields of contemporary music and art. The topics of the writings are diverse: the roles of class in design, design education, Lester Bangs and Creem magazine, pornography, album cover art, independent record labels, anonymity and imaginary creative identities, and design as cultural chaos-maker.