Der Tag, an dem sie aufhörte, ihre Kinder zu lieben... So beginnt die Geschichte einer Frau, die merkt, dass das, was ihrem Leben Sinn gegeben hat, nicht mehr trägt. Sie macht sich auf die Suche, trifft den Mann wieder, den sie als Studentin geliebt hat wie er sie. Hat sie damals die falsche Entscheidung getroffen? Ein Sohn will endlich wissen, wer sein Vater ist, und macht mit ihm eine Reise. Ein Mann, unheilbar krank, arrangiert einen Sommer mit den Seinen, um in den Tod zu gehen, wenn das Leben noch schön ist. Ein Passagier hört auf einem Flug die Lebensbeichte seines Sitznachbarn — oder sind es lauter Lügen? Warum versucht ein junger Mann und Vater seine erfolgreiche Frau vor der Welt zu verstecken? Was treibt einen Liebenden, seine Geliebte wieder und wieder zu belügen und in den Lügen sie und sich selbst zu verlieren? Und wie löst man die Stricke, mit denen einen das alte Leben hält, wenn späte Liebe ein neues Leben verspricht? Die Lügen, mit denen wir leben, behutsam aufzudecken ist der Kern dieser unbestechlich klaren, schwermütig schönen Erzählungen.

For 15-year-old Michael Berg, a chance meeting with an older woman leads to far more than he ever imagined. The woman in question is Hanna, and before long they embark on a passionate, clandestine love affair which leaves Michael both euphoric and confused. For Hanna is not all she seems. Years later, as a law student observing a trial in Germany, Michael is shocked to realize that the person in the dock is Hanna. The woman he had loved is a criminal. Much about her behaviour during the trial does not make sense. But then suddenly, and terribly, it does — Hanna is not only obliged to answer for a horrible crime, she is also desperately concealing an even deeper secret.

Young lawyer Georg Polger gives up a comfortable existence in Germany to work as a freelance translator in the South of France. But business in the picturesque village is far from booming, and Georg struggles to make ends meet. One day he is approached by a certain Mr Bulnakoff, who wants Georg to take over a local translation agency. The previous owner has just died in mysterious circumstances. Everything seems to be going perfectly: Georg falls in love with Bulnakoff's attractive secretary, Francoise, and takes on a lucrative project left unfinished by his predecessor, translating plans for military helicopters. But everything changes when Georg notices Francoise copying his plans. She tells Georg that Bulnakoff has threatened to harm her brother, who lives in Poland, if she refuses to do his bidding. When Georg confronts Bulnakoff Francoise disappears, and mysterious elements within the village try to hound him out. All he has left of Francoise is a picture she gave him of a church, which she told him was in Warsaw. But when a friend tells him the church is actually in New York, Georg flies to America in a desperate bid to track down Francoise, and unravel the web of deceit. Tailed from his arrival, Georg quickly realises that he is stuck between the CIA and the KGB, and further out of his depth than he can begin to comprehend. But which side was he working for? Who is the mysterious Mr Bulkanoff? And did he ever know the real Francoise?

Gerhard Self, the Sweet-Afton smoking, sambuca-swilling, most unlikely of PIs is back in a new tale of deception and intrigue, set against the backdrop of post-reunification Germany. After a chance encounter with the owner of a prestigious private bank, the now septuagenarian detective is enlisted to delve into the institution's history, apparently in the name of a book to commemorate the bank's foundation. But his seemingly anodyne brief — to discover the identity of a sleeping partner from several decades before — throws up far more questions than answers. As it becomes clear that the sleeping partner is in no way the most mysterious aspect of the bank's history, Self begins to suspect his mission may have been but a ruse to lure him into the shady world of the bank's enigmatic masters — a certain Herr Welker and his steely Russian foster brother Samarin. Trying in vain to extricate himself and his increasingly shaky heart from the web of deceit — and to work out who really is the baddie of the piece — Self is thrown headlong into a tale of money-laundering, murder and mafiosi. But who is blackmailing whom? Did Welker's wife really die in a tragic accident? And why is a washed-up old Stasi man pretending to be Self's long-lost son? Join Gerhard, the irascible armchair philosopher, on his most danegrous and far-reaching mission to date.

Bernhard Schlink brings to these seven superbly crafted stories the same sleek concision and moral acuity that made The Reader an international bestseller. His characters–men with importunate appetites and unfortunate habits of deception–are uneasily suspended between the desire for love and the impulse toward flight. A young boy’s fascination with an eerily erotic painting gradually leads him into the labyrinth of his family’s secrets. The friendship between a West Berliner and an idealistic young couple from the East founders amid the prosperity and revelations that follow the collapse of communism. An acrobatic philanderer (one wife and two mistresses, all apparently quite happy) begins to crack under the weight of his abundance. By turns brooding and comic, and filled with the suspense that comes from the inexorable unfolding of character, Flights of Love is nothing less than masterful

A conversation between strangers on a long-haul flight will change lives for ever; one night in Baden-Baden will threaten to tear a couple apart; a meeting with an ex-lover will give a divorcee a second chance; holiday lovers will struggle in the harsh reality of daily routine... As Schlink's characters navigate their lives, we discover the many faces of love: the small betrayals, hidden truths and abiding affections. In Schlink's trademark spare prose, we come face to face with the desires and jealousies that define our daily lives, with the fragility of happiness and with the abiding possibility of hope. Tender yet unsentimental, achingly personal yet utterly universal, SUMMER LIES asks what it means to love, to deceive and, ultimately, to be human.

Old friends and lovers reunite for a weekend in a secluded country home after spending decades apart. They plumb their memories of each other and pass quiet judgments on the life decisions each has made since their youth. This isn't, however, just any old reunion, and their conversations of the old days aren't typical reminiscences. After 24 years, Joerg — a convicted murderer and terrorist, is released from prison on a pardon. A former member of the Red Army Faction (or Baader-Meinhof Group), the announcement of Joerg's release is sure to send shock waves throughout Germany. But before this happens, his group of friends — most of whom were RAF sympathizers — gather for his first weekend of freedom. They are invited by Christiane, Joerg's devoted sister, whose suffocating concern for her brother is matched only by the unrelenting pull of Marcko, a dangerously passionate young man intent on using Joerg to continue the cause.

Der 15-jährige Gymnasiast Michael Berg lernt Ende der 1950er Jahre in Heidelberg Hanna Schmitz kennen. Die 20 Jahre ältere Straßenbahnschaffnerin kümmert sich um ihn, als ihm, an Gelbsucht erkrankt, auf dem Nachhauseweg übel wird. Wieder gesund besucht er sie und erlebt mit ihr seine erste Liebe. Bald entwickelt sich während der heimlichen Treffen in ihrer Wohnung ein Ritual, das der zunächst rein körperlichen Beziehung eine seelische Dimension gibt: Michael muss Hanna, über deren Vergangenheit er nur wenig erfährt, stets vor dem Liebesakt vorlesen. Eines Tages verschwindet Hanna spurlos aus der Stadt. Erst Jahre später sieht er sie als Jurastudent in einem Auschwitz-Prozess wieder, wo sie mit anderen ehemaligen KZ-Aufseherinnen unter Anklage steht. Im Gerichtssaal findet Michael die lang gesuchte Erklärung für Hannas ungeschickte Verteidigung und für viele ihrer Handlungen: Sie ist Analphabetin, verheimlicht dies aus Scham auch im Prozess und wird zu lebenslanger Haft verurteilt. Ihre Mitangeklagten, die ihr die Hauptschuld für ein grauenhaftes, schriftlich dokumentiertes Verbrechen zugeschoben haben, erhalten nur geringe Freiheitsstrafen. Michael, der sich mitschuldig fühlt, schickt ihr regelmäßig Kassetten ins Gefängnis, die er mit Weltliteratur besprochen hat. Anhand der Kassetten lernt Hanna autodidaktisch lesen und schreiben und beginnt sich mit den Verbrechen der Nationalsozialisten auseinander zu setzen. Nach 18 Jahren Haft nimmt sie sich kurz vor ihrer Entlassung das Leben.