Painted between the years 1632 and 1646, the Passion series is one of Rembrandt's finest accomplishments. This volume investigates a work known as the Entombment Sketch — actually a beautiful finished painting, and the jewel of the Hunterian Art Gallery's collection. Drawing from paint samples, new high — definition imagery, and other technical findings, this volume thoroughly explores the provenance of the painting. The authors also discuss Rembrandt's own influences in creating the Passion series, including Leonardo, Caravaggio, Raphael, and Rubens, and compare the work with that of Rembrandt's contemporaries.

Munch was Norway's greatest artist and one of the founders of the Expressionist movement. He first made a name for himself as a painter, and though he started making prints only after the sensation of his 1892 Berlin exhibition, his graphic work was itself an important influence on twentieth-century art. Munch was inspired by the cycles of etchings by the German artist Max Klinger to create graphic versions of his own innovative psychological imagery, working first in a style related to Symbolism and Art Nouveau to produce both etchings and lithographs. This book accompanies an exhibition of Munch's greatest prints at the Hunterian Museum and Art Gallery, Glasgow and the National Gallery of Ireland, Dublin, selected from the unrivalled holdings of the Munch Museum, Oslo. Essays by Peter Black and Magne Bruteig provide a general introduction to Munch's prints, illustrating masterpieces in the major techniques used by the artist.