During her lifetime, the Belgian — born British actress Audrey Hepburn (192993), star of such films as Roman Holiday, Sabrina, Funny Face, Breakfast at Tiffanys, My Fair Lady, Charade and Two for the Road, was recognised around the world. Posthumously, her popularity has endured and her image continues to be reproduced in a variety of international cultural contexts. Unlike other collections, in this new book the authors call attention to the circumstances in which pictures of Hepburn were published and consumed, thereby illuminating more generally our changing relationship with such images over the course of the twentieth century. Hepburn's career is charted through over 145 portraits and supporting images from her early years in London as a student of ballet and a performer on the West End stage, to her Hollywood heyday and her final years as a special ambassador for the United Nations Childrens Fund (UNICEF). Alongside work by the photographers whose portraits defined Hepburn's image and shaped her career are publicity photographs and images made on — and off — set during the production of her films, as well as family photographs and informal archive news pictures. Possessing the features, height and poise of a model, Hepburn collaborated with a number of couturiers, notably Hubert de Givenchy. Her image often graced the pages and covers of fashion magazines such as Harpers Bazaar, for which she was photographed by Richard Avedon, whose work is represented here together with portraits by Cecil Beaton, Antony Beauchamp, Philippe Halsman, Angus McBean, Norman Parkinson and Irving Penn.

The artist May Ray (1890-1976) initially taught himself photography in order to reproduce his own works of art, but it became one of his preferred mediums. As a contributor to the Dada and Surrealist movements in Paris during the 1920s, Man Ray was perfectly placed to make defining images of his avant-garde contemporaries, including Jean Cocteau, Peggy Guggenheim, and Gertrude Stein. Man Ray also photographed his friends and lovers, among them Kiki de Montparnasse (Alice Prin), Lee Miller, who helped him discover the solarization printing process, and Ady Fidelin. Man Ray continued to take portrait photographs throughout his career, including little-known images from 1940s Hollywood, and of stars such as Ava Gardner and Catherine Deneuve taken during the 1950s and 1960s. An essential reference on Man Ray's life and work, this book includes an introduction by Terence Pepper and essay by Marina Warner exploring the artist's creativity and appetite for innovation and experimentation. Complete with first-hand testimonies from the artist's sitters and over 200 beautifully reproduced images, this handsome volume provides a survey of the finest portraits from one of the most inventive photographic artists of the 20th century.